➡ This text is about a critique of R.L. Stine’s Monsterville, a movie that is seen as a depiction of demonic soul harvesting marketed as children’s entertainment. The critic argues that such content is designed to influence young minds before they develop critical thinking skills. The story features a character named Dr. Hysteria who collects souls and a love interest named Lilith, known in demonology. The critic warns about the potential impact of such content on children.
➡ The text is a dialogue between various characters at a horror-themed event. Kellen, the main character, interacts with others, including Beth and Lilith, while navigating through the event. The group experiences various attractions, including a ‘Cabinet of Souls’. The text ends with a hint of mystery as they discover something unsettling about the event.
➡ A teenage boy, Kellen, gets involved with a girl, Lilith, who works at a demonic carnival. The carnival is run by Dr. Hysteria, who traps souls in a Cabinet of Souls, including a missing girl named Andrea Payton. Kellen and his friends try to expose the truth, but Dr. Hysteria convinces others it’s all an illusion. The carnival uses occult practices, like marking hands and deceiving people into contracts, to trap and isolate victims.
➡ The text discusses the use of symbolism in entertainment, suggesting it’s used to normalize and recruit individuals into certain practices. It highlights the concept of Faustian deals, where one trades something of themselves for advancement, often without fully understanding the terms. The text also includes a narrative about a group of friends who resist a demonic entity, emphasizing the power of friendship and loyalty. The story ends with the friends defeating the entity and returning to their normal lives.
➡ The article discusses a film that subtly teaches children about occult practices, such as soul contracts and demonic seduction, through its characters and plot. It highlights the importance of understanding these hidden messages and the power of refusal in such situations. The author encourages parents to be aware of such content and to use it as a tool for awakening and education. The article also emphasizes the right to critique and expose such content under fair use and natural law principles.

Sa. This content is protected under fair use for purposes of criticism, commentary, and education. We’ll elaborate on the legal framework at the end of this video, so stay tuned if you need the full breakdown for any legal purposes. Now, let’s begin. Welcome back, truth seekers. Today we’re examining R.L. stine’s Monsterville, the Cabinet of Souls from 2015. And yes, that R.L. stine, the Goosebumps author who’s been programming children for decades. Sony Pictures and Scholastic Entertainment brought us this one marketed as family friendly Halloween fun. But here’s what they’re really selling. A literal depiction of demonic soul harvesting packaged as entertainment for your kids.

This is the blueprint we see over and over. Disney pioneered it, Nickelodeon perfected it, and now it’s everywhere. Get them young. Plant the seeds early. Normalize the symbols and transactions before critical thinking develops. This isn’t rated R. Horror for adults who might question what they’re seeing. This is designed for teenagers and preteens, that crucial age where identity forms and rebellion against parental guidance peaks. The perfect moment to introduce concepts that bypass every filter mom and dad might have in place. Watch carefully as this story unfolds. You’re going to see a character literally named Dr. Hysteria who collects souls in a cabinet.

Not metaphorically, literally. You’ll meet a love interest named Lilith. And if you know your demonology, that name should make your skin crawl. Pay attention to the attractive strangers with unnatural charisma, the carnival imagery, classic MK symbolism. And especially watch what happens when teenagers get marked with stamps that won’t wash off. They’re showing you the transaction, the contract, the cost, and they’re teaching children. It’s thrilling. Let’s begin. It’s it. You want. Love. The killing. Gummy bears and churro combo bites. What was so gross about. Who are you talking to? Who you texting? Oh. Oh. Moron. Moron. Dude.

Yeah, What? Jeez. Hurry up, Nicole. They’re waiting on us. Come on, Beth. You know it’s always better to make the boys wait. Come on, swiggy arm. Throw it. I curse your lousy aim. Hey, listen, when Beth gets here, me can sort of not hang around for a little bit. What do you mean, not hang around? Sorry, that was out. Dude, are you kidding me? What? You’ve been planning on making your move ever since she moved next door to you. And that was 10 years ago. Every time, you chicken out. Well, maybe this time I won’t chicken out.

I bet you can’t do that again. Sorry, Ms. Sarcosian. Hey, guys, what’s up? Hi, Kellen. Hi. I know you like these. Oh, that is so incredibly sweet of you. Thank you. Is that one for me? Sure. I don’t need sweets. Okay, I’ll take it. Fine. Here. I shall go find the candy apple eating area. I was thinking for Halloween, maybe we can get a bunch of scary movies and do, like, a marathon. Yeah, that could be really, really fun. I’ll start, like, a event page. We can make it a party. Yeah. Down. What? This just reminded me.

Do you remember when we were trick or treating? I think we were, like, seven. You were sitting on the curb and you were just crying because this big kid stole your little pumpkin of Halloween candy. No, no, no, no. I was not crying. She don’t want some. No, it doesn’t bite. Oh, great. You. You have a picture of me crying on your phone. Yeah, my mom just scanned, like, a bunch of old photos. So tons. Well, I’m glad my humiliation has been preserved in the digital age. Blackmail for days. Oh, gosh. I know. I better go save Nicole.

Yeah. Attention, everyone. Right this way, please. Come on over. Oh, that’s in the teeth. Good evening, guys and ghouls. Sounds like girls. Moving on, I want to officially welcome everyone to our annual Harvest and Halloween Festival here in Old Town. Now, I’m going to hand the mic over to Nora Fishbean. Fishbein. Fishbein of Nora’s Ballet and Dance Academy, who will be the spooky mistress of the very spooky Halloween Dance contest, Blair Dracula. Thank you, Mr. Mayor. Count Dracula. Yes, that was clear. Well, may I invite you all, all of our participants, to make their way to the dance floor? Yes.

Should we. Oh, come on. Don’t be so silly. It’s about time everyone got to see my dance moves. Come on, come on, come on. Okay, everyone, in keeping with the Halloween spirits, I’ll call out different Halloween themes, and the dancers will have to improvise. Now, there’s no right or wrong. Just get creative. All right, everybody ready? Let’s dance. I know I never make this easy it’s easy disappear say, give me some I think that I can go on together yeah. Come on. Yeah. Dance like a zombie, you. Damn. Like a skeleton. That’s good. I like that.

Now everyone dance like a banshee. But. Here, I’ll sing it back. Yeah, I’ll sing it back. What a fun festival this is. But there is plenty more to come. Scary Halloween fun Dr. Hysteria’s hall of Horrors is not for for the faint of heart but for those who crave the shake and shiver the thrill and Chill of a fearsome dark journey into the wretched black heart of pure evil itself. But fun. Yes, but fun. Fun for your whole family or your main squeeze or just your all are welcome to join us if you dare to walk through the grim black gates into the hall of Horrors.

We open right here tomorrow night. Close on the stroke of midnight on Halloween. Everything you need to know is on the flyer. Wow. Impressive. Okay, I want to go. We need to go. Yo. I’m struggling with my posse, yo. Cause we got the moxie, yo. Yo, Beth and Kellen won the contest. Whatever. I’m sorry, man. That’s the parents. I gotta go. Okay. Hey, tomorrow night. Get our scare on. Yes, yes, yes, yes. Can I? All right. Bye. Sweet. James. Hey. Do you want to come over for a little bit? I really would, but I really can’t.

I have a lot of homework. Oh, you can keep this if you want. Kellen, you would part with this example of fine crafts craftsmanship. I actually think this is cheaper than my peewee soccer trophy, which I think I won for, like, second place. We weren’t good together, huh? Yeah. Yeah, I think we racked it. See you in school tomorrow. Wait, what? Oh, do I have a bug on me? No, no, no. It’s just. It’s just that I want to tell you something. Ooh. Yeah, sure. What’s up? Remember we have that English quiz tomorrow at school? The.

Yeah, yeah. Thank you. Yeah. Good looking out. Thanks. Okay, bye. All right. The Halloween season reminds us that it was around this time last year that 15 year old Andrea Peyton mysteriously disappeared from Fedderson Township. She was last seen by friends wearing a maroon Fedderson High School pullover hoodie and blue jeans. Her family remains hopeful that someone somewhere will come forward with information as to her whereabouts. When we return, all the latest weather updates. Hey. Hi. Hey. I guess I just. I just wanted to tell you that. Who is that? Hey, you guys were at that dance contest yesterday, right? You guys are great together.

How long have you been dating? What? Was that your, like, super subtle way of asking if he’s my boyfriend? Maybe it was. Wasn’t that subtle. No, he’s not my boyfriend. We are. We’re just. You know, we’re pals. Right, Partner? Right. Well, I’m Hunter. I just moved here. Maybe you’d be interested in hanging out with the new guy sometime. Um. Okay. Um. I mean, the. A few of us were planning on going to the hall of wars tomorrow night if you want to join. I don’t know. Haunted houses aren’t really my Scene. You’re scary. Maybe. Although I surfed in a monsoon once and outran an avalanche with a broken snowboard, so I wouldn’t say I.

Scary. Is he? Yeah. I mean, who hasn’t done those things? I think that you should definitely come with us. All right. I’ll go if you let me take you. Okay. In the meantime, can you point me to the office? Yes. Yeah, I can take you. Sweet. Oh, hold on just a second, Kel. Kellen, did you want to talk to me about something? Oh, never mind. Okay. All right. Hey, maybe we’ll see you tomorrow, too, partner. So, the office is right over there. Killman. Let’s snag a smoothie. No, I’m good. Who’s that guy? Some new kid. His name’s Hunter.

Looks like Hunter’s found his prey. Dude, what happened to your sense of humor? All right, well, I’ll see you later. Right? Uh, maybe. Maybe you snap out of it. Call it a night. So, who won the dance contest. Yesterday? The dance contest? I won. I mean, Beth, and I won. Beth. Is she that really pretty girl you were dancing with? Pretty? Mm. Yeah, I guess she’s pretty. I noticed this other guy who kept checking her out. Super good looking guy. I mean, like, really good looking. I could see his muscles through his shirt. Yeah, that would be Hunter.

I think she sort of likes him. Maybe she’s just trying to make you jealous. No, Beth’s not like that. She doesn’t play games. You don’t know much about girls, do you? Well, if you’re right, I think your Beth is making the wrong choice. I’m Lilith, by the way. Um, Kellen. Well, Kellen, I have to get back to work, but I hope you come to the show. Oh, my gosh. That’s really real. This place is so awesome. Churros. You and your churros win. Yo, I like a churro. Lights up my nero, yo. I. I got one in my home, yo.

It’s in my bureau. Hey, yo, yo, Nicole. Watch out, watch out, watch out. Back off, one face. Don’t be messing with my lady. Hey, Ken. Hey. We should go in together. All right, all right. Just remember, it’s all special effects and makeup, okay? It’s not real. Hey, hey, hey, everyone. This is great, huh? I love all these characters. Yeah. Oh, look at that one. Hey, I’ll get the tickets. Do not feed the zombies. Beware the ghouls. Do not look the witches witches in the eye. What are you doing? You’re sir, not to look the witches in the eye.

Don’t Worry. I’m not a witch. I’m an enchantress. And I shall definitely look away if you can. Do not feed the zombies. Beware the ghouls. Do not look the witches in the eye. It off. Stop. While stuffing me. Ellen, I don’t want to do this. You’re fine. Look. Here, Take her, take her, take her. Quiet down. I’m trying to sleep. Hey, Kelly, I didn’t know your mom worked here. Could you just quit? Honored guests, or should I say unfortunate victims I invented, invite you to journey to Zombie Boulevard. Reins on a stick. Get your reins on a stick.

And hey, today. I’ll be right back. Hey, cool show, right? Yes. Yeah, totally. I talked to you for a sec. Alone. I’ll just go ahead. Okay. You so don’t have to. You’ll catch him. What’s up? Nothing. I mean, so you and Hunter are. What? You’re like. We’re like what? I don’t know. I. I mean, you. You know, I. I see. You guys are, like, holding hands and I was. Kellen, were you watching us through binoculars or something? No, it’s all good. Okay? I’m just. I’m just, you know, never mind. Hello? Where is everybody? Did you leave this door open? What if someone saw it? Idiot.

Sam, Get up. Come with me. What was that? Sam? It’s. It. It’s. Good night. Join us again soon for more scary fun. Sleep with one eye open. Sweet pumpkin fritter. That was kind of fun, huh, kids? Wow. That’s tell. Really real. Yeah. You know, when I was crying, I was just pretending I wasn’t really crying. We should find the bathroom really quick. That was awesome. You jumped about seven times. Are you okay? Me? Yeah, I’m fine. Okay, well, I’m starving, so. Yeah, we should get something to eat. You know, you just go. I think I’m gonna take off.

Kellen, that’s not the only girl in the world. Yeah, I know. I just feel like going for a. Hey. Hey. Hey. Hunter. Oh, so happy I found you. Andrea Payton mysteriously disappeared from Fedderson Township. You don’t want to be here. That, to me, is very good. Hi. Oh, it’s you. I didn’t recognize me out of costume. The real me. I like to ride around after the show just to chill out, you know? I saw you wandering around aimlessly and I thought one of our zombies had escaped. Sorry to disappoint. You didn’t. So, what’s it like working in the show? I love it.

I was born into it. But you’d be great in It? Me? Why not? Most of our performers started working with us when they were about your age. And, well, I started when I was a little girl. Yeah, I just. I don’t think I’m the show business type. Are you sure? I’ve seen your wicked dance moves. That was all Beth. You’ve got charisma. Don’t let anyone tell you otherwise. I’ll take you home. It’s not on fire. Get on. Someone in love that Moran student. Good night. I wanted someone to know. Kellen, hey. Can I talk to you? You saw the zombie eat a live rat? No, I didn’t know.

I didn’t see, but I heard it. And the vampire. I know that I saw that because he was. He was standing right in front of a mirror. Come on, Beth. It’s a haunted house. It’s full of trick mirrors. Well, then what about the missing girl? Andrea Payton went missing from Fedderson Township the exact same week that the hall of Horrors was there. That doesn’t prove anything. What about this? Have you tried washing this off your hand? I mean, I took a shower. Mine will not come off, so. It’s strong ink. Hey. Hey. So, you gonna help us? Us? Yeah.

Beth thinks there’s something weird about the Hall Forest. And let me guess. You believe her? We’ll see. I just know I’m here for Beth. Well, looks like he’s got you covered. Visibly. By the bed. And a phone in my hand. Dog on the phone. And some cash on the nightstand. Hey, dude, where are you? Nowhere. Home. Okay. We’ll get over here. And now I’m just gonna. Chill, man. This is all about Beth, isn’t it? No. No, it’s not. I’m looking at them right now. Oh, my God. They’re kissing. They are? With tongues. Oh, man, it’s sloppy.

There’s tongues everywhere. What? Really? Psych. You’re so not funny, man. Like, I’m serious, dude. It gets old, you know what I mean? Hello? Fine. Cool. Whatever. Have a nice night. Yo, Churo. Hey, paying customer here. Whoa. One man show. So you sell the churros, you run the place, but you probably sweep up, too, right? On the house. All right, thanks. Are you all by yourself this evening? Yeah, I guess so. Then where might be all of your friends? Well, we kind of have had a falling out. Yeah. Come with me. You can bring the churro. Okay.

I’ve been watching you. Oh, good. I was afraid that following the weird carny wouldn’t be creepy. You see, it’s that exactly funny. But your friends don’t laugh they don’t appreciate you. It’s because they’re jealous. Yesterday you made a joke when the banshee flew overhead and you said, I didn’t know your mom worked here. It’s not funny when I say it was just one of those yo mama type jokes. You’re far too modest. It may be just one of those yo mama type jokes, but it’s your delivery, your timing. Say it. Yo, Kellen, I didn’t know your mom worked here.

I love the Yo Kelly. Do the game, the whole thing. Yo, Kellen, I didn’t know your mom worked here. All right, I’ll get big yucks and mega bucks to pay me my money you’re gonna need I’m trucks I could do slapstick I could be pretty, can make a face don’t need to be witty very entertaining I got my clown on, no frown on that’s no sass cuz I get laughs like mad gets mad very clever Laughing gas ain’t funnier, ain’t got nothing on me I got more lines than the DMV I, I got more jokes than you forest got treats you come undone man your size is split Ain’t exaggerating I can guarantee it.

Where am I? You seem to have wandered through an exit door. I, I, I don’t remember. Let me show you out. I wanted someone to love. Oh, no, Nothing. Up to see you, Ken. Should pay more attention to you, you know, Kellen. Young lady, tonight I shall give you a very special treat. The VIP engine. Anything less would be an insult. You are a very important person, are you not? After you. Fetch my man servant. How many serving, my darling? Wow, my feet are tired. Allow me. What exactly are we looking for? I’m not sure. I just know that there’s something that they don’t want us to see.

Let’s go. Nicole. Nicole. Now you are mine. Gotta say, this is one of the weirdest dates I’ve ever been on. Not complaining. Did you hear that? Yeah. Whoa. It’s pretty creepy. It’s probably like prop for one of their bits, right? Maybe this is what we’re not supposed to see. The Cabinet of Souls. Yeah. Isn’t there like a saying, you know, never open a cabinet of souls in a hall of horse? I don’t think that’s a saying. Should be. Saunter. Who are you? Can you hear me? Stopped at midnight. Andrea. Sam. No, no, no. There you are.

I thought I lost you. Where’d you go? I was inside of that. We have to get out of here. Okay. Can I help you do. We have a problem? You look frightened. But then, this is the hall of Horror Horrors, so I suppose that’s quite the point. You saw the Cabinet of Souls? That’s a pity. It’s not ready for viewing. It is to be one of our best attractions, but there are still some technical issues. See? I told you. Did you see it too, young man? No, sir. Cool park, by the way. Theme park quality. I’m sorry if I sounded harsh, but this area is for employees only.

If we totally get it, we’ll go. So, we’ve already seen the setup, and the patterns are coming fast. First, notice how they introduced Lilith not as a monster, but as the attractive girl working the churro stand who takes special interest in our lonely protagonist, Kellen. In Jewish mystical traditions, tradition, Lilith is Adam’s first wife who refused submission and became a demon who preys on men and children. And here she is, literally working at a demonic carnival, flirting with a teenage boy. This isn’t accidental casting, but here’s where it gets direct. Beth and Hunter just encountered the Cabinet of Souls.

And Beth saw Andrea Payton, the missing girl from Fetterson Township, trapped inside. The film just shooting showed you actual soul imprisonment. And when they try to tell someone what happens, Dr. Hysteria smooths it over as technical issues with a new attraction. He’s literally admitting it exists while denying what it does. This is the pattern of revelation of the method. Show them the truth, then gaslight them into doubting what they saw. Notice the hand stamps. That won’t wash off. Beth scrubbed hers in the shower. It stayed. This is marking. Claiming. A visible sign of contract, whether they understood what they agreed to or not.

In occult practice, marks matter, consent matters. Even if it’s obtained through deception. They’re showing you how it works. And Kellan? He’s being seduced away from his friends by Lilith’s attention. Isolated. Made vulnerable. Watch what happens when he’s alone with her. The trap is being set. You don’t believe me? I believe that you believe. Okay. It’s just that place is all about illusion. The stuff they can do these days. Smoke and mirrors. The mind plays tricks on itself. Maybe. But that missing girl from Fedderson, Andrea Payton. I really think that I saw her. You sure? Bev, I admire you for caring so much.

Thank you for coming with me tonight. Good night. Hey. Hey. Can I talk to you for a second? Sure. Can you come in? Okay. I saw something tonight. Is it the Cabinet of Sauce? Yeah. How did you know that Lilith. Doctor Hysteria has been working on that trick for years. Was it Cool? Was it cool? No, it. Why? Why is she here? She’s stopped by. I told you she’s cool. What did Hunter think? He thinks it’s just all smoke and mirrors, but that’s because he didn’t see what I saw. Do you see this coin, Beth? Yes.

Oh, that’s funny, cuz I see a bird. That’s awesome. Yeah. Well, what do you see here? Look. I found this on the web. And this is from the year 1832. I know. That’s the inspiration for the hall of horrors. Dr. Hysteria copied that character’s looks, but he thought that hall of Horrors sounded more modern than Carnival of Creeps, so he changed that. Oh, that makes sense. So he isn’t almost 200 years old. Well, between you and me, sometimes he speaks. Smells like it. Have something sweet. Good night. Bye, kellen. Okay, that was really good, Kellen. If she knows about the Cabinet of Souls, then she’s obviously in on it.

And on what? I mean, what are you talking about? You know what? I know you could start going with this Hunter guy, but the second another girl pays any attention to me, she’s part of some evil plot. This is so not about that. I mean, this thing was really scary. And I’m not positive, but I think that I saw that missing girl in there from Fedderson. Andrea Payton. You’re really tripping. Beth Callan. That girl, that Lilith girl. I’m really worried about you. Yeah, it’s like this new person comes to town, and all of a sudden I start acting all crazy.

Oh, wait, that’s not me. Wow. Okay. You know, I know a disappearing act, too. Beth. Beth, You’ve met Andrea. Andrea, tell Beth what you told me. You can’t save me. Tell her to her face. Please save me. Must feed. It. Oh, you’re almost empty. You were a good worker. The tonight we get fresh souls. Chop, chop. Let’s get to work. Nicole. Hey, Nicole. What? Have you been getting my texts? Yeah, about 500 of them. It’s annoying. I turned off my phone. Queen Beth says there’s an emergency and everyone’s supposed to jump. Get real. What’s going on with your hand? Hey, Nicole.

Good morning. Oh, hi. So, I spoke to Dr. Hysteria about you. Told him I knew a guy who might want to work in the show. Me? Are you interested? You get to be a character in our Halloween finale. Really? Cool. Then let’s go. Now, I have school. And school will be here tomorrow. But I won’t. That’s a warning. Bo, I’m gonna be late for class. And if you don’t follow your heart, you’re going to be late for. Go. Hi. Have you guys been to Dr. Hysteria’s hall of War? Is it. Yeah. Yeah, it was awesome. Not that scary.

Some of it was funny. By any chance, did they stamp your hand? Yeah, they did, but it just washed off, so. Yeah, I can kind of still see mine. Not anymore. Ew, gross. That hair do is a hair don’t. Did you stick your finger in a light bulb socket? Brillo pad Poll. Football poodle head. Hey, nice term. 1980 called. They want the hairdo back. Dude, that was really mean. Yeah, so who cares? I was getting laughs. What happened to your hand? What happened to your face? Score. Now you are mine. Want to drive? Yeah. Hello, handsome.

It’s hello, everyone. Has everyone made their Halloween plans? Today we are going to work on our history packets. So please get them out and work quietly at your desks. Has anyone seen Luke? Is he in school today? I saw him when I was in the hallway earlier. How about Kellen? Miss Sarcosian, may I use the hall pass? Go ahead. Miss Sarkozian, may I go, too? No, one at a time. Get him into costume. Yes, he has a costume. Taylor, just for you. Take him away. That’s a big mouth. Good lag. Yes. Nicole’s just been gone a really long time now.

Do you think that I could go check on her? Go ahead, Nicole. It’s Dr. Hysteria. He’s turning teenagers into monsters and he’s taking their souls, and he collects them in this cabinet, this cabinet of souls, which, according to my research, probably makes him some kind of minor demon. Which means that he’s keeping them for later so that he can feed off of them. And now he has my friends, and I think that he’s gonna take their souls, too, if I don’t stop them by midnight tonight. Right. Beth is my most steady student, straight A’s, the good C Citizenship Award, and there are kids missing.

He’s really, really dangerous. A gun isn’t going to do you any good against a demon. Okay, then how am I supposed to stop a demon? I don’t know. Right, then you stay here and Google that, and I’ll go have a look around. Hello, Sheriff. How may I be of service? Well, the girl says that you’re a D. She says that there may be some missing kids up here. Really? She said that? So I was wondering if I could have a look around. By all means. Thank you. Did you want to look at my permits? The originals are all filed at City Hall.

No, no, that. That’s okay. Showbiz magic. It’s amazing what it can do to the imagination. Wow. I get your point. Indeed. After you. Yeah. Kellen. Hey, kellen. This one of the missing boys? This is Kellen. Missing? And I’m not missing. I’m. I’m right here. You said it was missing. Well, he’s not himself. I’ll show you. Wait. No. Oh, my. I really don’t like her running around back here. She could get hurt. Boy, this is quite a maze you’ve got here. It’s all modular. We move it around during the show. Sometimes even I get lost. I found it.

This is what I was talking about. Andrea Peyton is in here. This is an expensive prop and it’s not ready. Don’t go near it. Right. Please don’t. There’s no reason to make a legal case out of it. I believe the young lady just got wrapped up. Up in the spirit of the season. That’s very decent of you. I’ll get her back to her parents now. I’m calling Beth. I feel bad for her. I do too. But we can’t fix everyone’s problems. Come on. I’m going to show you something. Do you know why trapeze artists are able to perform such death defying tricks? No.

They practice with a safety net. People are more willing to take risks if they have something to fall back on. So I’m curious, Kevin. Are you Beth’s safety net? No. Then I think you’re ready. Ready for what? What’s so magic about it? It’s where you’ll see what truly feeds your soul. And once you’ve seen that, well, then you are under my spell. I think. Enter. Now watch. There you are. It’s me. We just watched Kellan enter what they call a mirror. But look closely at what they actually showed us. It’s not a mirror at all. It’s a theater screen displaying a massive blue eye with electrical energy crackling around it.

And this matters more than you might think. The blue eye in occult symbolism connects to several documented traditions in Turkish and Mediterranean cultures. The blue eye, the Nazar is used as protection against the evil eye. But the inversion is key here. What protects against curses can also represent the curse itself. When inverted in Freemasonic symbolism, the all seeing eye represents divine surveillance and hidden knowledge. When you add the electrical element, the lightning, the crackling energy you’re layering in the Luciferian light bearer imagery. Lucifer means light bringer. Electrical energy, divine fire stolen from the gods like Prometheus.

Forbidden knowledge that illuminates the blue specifically connects to throat chakra programming in Eastern mysticism. Communication, expression, speaking your desire into existence. They’re combining multiple symbolic systems into one image, and it keeps appearing. The CERN opening ceremony in 2016 featured dancers in trance states, a horned figure and prominent eye symbolism. Major concerts, especially in pop and hip hop, flash giant eyes with electrical effects during key moments. This isn’t random set design. It’s consistent symbolic language. Now, here’s what most viewers completely miss about this scene. This is textbook Faustian bargaining, and they’re teaching the mechanism to children. Faustian deals, named after the 16th century German legend of Dr.

Faustus who sold his soul to the demon Mephistopheles, follow a specific pattern documented across centuries of literature, folklore, and claimed real occult practice. First, identify the desire. Second, show the fulfillment. Third, get willing consent. Fourth, extract payment. Kellan sees himself transformed, recognized, talented, celebrated, everything he’s ever wanted. The entity doesn’t force him, it seduces him. With his own perfected reflection, he steps through willingly. That’s the key. In occult contract law. Consent matters even if obtained through deception. Even if the person doesn’t understand the full cost, the willing step forward constitutes agreement. This is exactly how actual recruitment works in entertainment industry.

Initiations in secret society degrees, in any system that requires you to trade something of yourself for advancement, they show you the next level. They show you who you could become. They make you want it so badly you’ll agree to terms you don’t fully understand. And they’re programming children to see this transaction as exciting, as desirable, as the path to becoming your best self. But here’s what should really make you pause. Why are they being this blatant? Why show the blue eye, the electrical energy, the literal cabinet of souls, the character named Lilith, the demon collecting teenagers? Because they’re not just entertaining, they’re normalizing, they’re recruiting.

The earlier you plant these seeds, the less resistance you encounter later, when a teenager in the real entertainment industry gets an actual offer. Sign this contract, do this ritual, join this group, and you’ll get everything you’ve dreamed of. It won’t feel foreign or frightening. It’ll feel familiar, like something they saw in a fun Halloween movie when they were 12. Notice how some of these young actors carry themselves. There’s a maturity, a comfort with this material that seems beyond their years. Could be great acting, could be circumstantial, or it could be that some of them already understand the extended context of what they’re filming.

The film itself is dead serious about what it’s depicting. Soul Contracts aren’t metaphors here. They’re the literal plot. And the target audience is children at the exact age where identity forms, where rebellion against parental guidance peaks, where the desire to be special, recognized, powerful, is at its most vulnerable. Intensity. They’re showing you the mechanism. Because familiarization removes resistance. When you’ve seen something a hundred times in entertainment, it stops triggering your danger instincts. And that’s when they’ve got you. Hey. She’s mine. You dare challenge me? Bring it. Sa, Run. What just happened? Where am I? You’re in my father’s power now.

Mine. Now you are mine. She fall. No. You tricked me. Oh, hush. Your heart. There’s nothing you can do. Now get out of here. It does my heart good to see the friends together. Now get him into costume. We still have a show to do. Hey. Hey. Come in. I’m telling you, she turned into a real live witch. Um. Wow. Beth, are you sure Nicole wasn’t wearing makeup or something? I was sure. Well, there’s only one way to find out. We’re gonna go back to the hall of Wars. But you don’t believe me. But like I said before, I’m here for you.

Do not feed the zombies. Beware of the ghouls. Do not look the witches in the eye. Do not feed the zombies. You’re okay. You’re okay. First thing that we’re going to need to do is find my friends. And if they’re okay, then I guess I’m going to have to admit that this whole thing has been in my mind. Did we take a wrong turn? I don’t know. Let’s try down here. Sa, Come to this side. It’s wonderful. Join me. I will. You can’t go over there. You can’t leave us. We need you. You’re free without them.

This is where you belong. It’s who you really are. No, that’s not who I am. This isn’t. Your friends are holding you back. I would never betray my friends like that. I want to get out of here. Beth, we should go back in there. No. I mean, what. What’s going on in there is obviously some kind of sorcery, and it’s. It’s wrong. It’s showing us what we could be. The two of us together. Who are you? Don’t be stupid. That showing loyalty to my friends is not stupidity. Hunter. What about your loyalty to me? I don’t owe you loyalty.

What’s wrong, brother? Isn’t she cooperating, Brother? No, she’s not cooperating. She’s being a stubborn Little fool. Calm down, Hunter. He didn’t mean that. He cares about you, Beth. We all do. Get away. Where’s my broomstick? Who stole my broomstick? Wait a minute. You stole it. No, I didn’t. I curse you. Here’s your boy, Nicole. You have to get out of here. Clear the way. You belong with us. I hate balloon animals. No. No, not the pin. Shut up. You’re getting the pin. No. No. No. Sam. Helen. It’s Beth. Come on. You know me. Look into my eyes.

I know that’s you. It’s beth. Okay. No. Trying to tame the monsters, folks. Kelly. Please. Please. Ladies and gentlemen, the hall of Horrors will be closed in five minutes. Please proceed to the exits. We hope you had a fun and thrilling experience. Okay, Kellen. Okay. Kellen. We have to find Nicole and Luke. You’re weak. Stand up for me. I know you can stand up. I know you have it in you. I need you to stand up for me right now. Leave me, savior. No. No. Please try, Kellen. Please try for me. Just try for me. Come on.

Please try for me. I need you to do this for me. Okay. Wow. That seems real. I mean, it just seems so real. Oh, Sheriff, what did you think? It was outstanding. I am going to talk to them about coming back next year. It has been great for this town. Well, it’s almost midnight, so I should probably be getting these kids home. Good night, Dracula. Tell Dracula. Oh. Okay. He was stronger than we thought. That’s good, Father. That’s good. His soul will provide nourishment for a long time. Yes. Hurry. It’s almost midnight. Bring her inside. Sam.

Oh. Dylan. Luke. Nicole. You guys, wake up. They can’t hear you. They exist now only to feed us. That one was strong. He resisted more than usual. But you’re the strongest, Beth. You’re special. It would have been easy for you to give in to temptation, to deny your friends for the sake of your own happiness. But you resisted. It’s that strength that we look for. Not in our food, but in our family. What? I don’t want to be a part of your sick family. Beth. You’ll live forever. Nothing can save your friends. Friends? But you can save yourself.

It’s almost time. Join us. No. Guys, wake up. You’re free now. It’s too late. You and your friends are all fooled. Guys, there’s not much time. We have to get out of here. Beth. Kellen. Beth, grab my hand. Huh? Andrea. Help me save my friends. Almost there. Fine. You. Okay? Is everyone okay? Next time you try to convince me that someone’s evil. I’m just going to take your word for it. You’ll never get away with this. Your mine. You’re all mine. You can’t just. What is that? This is some holy water, some sage, some vinegar, and a couple of other things.

And how. You know how to do that? I just Googled how to stop a demon. Whoa. It’s all gone. Um, who. Who’s she? This is Andrea Payton. I’m free. Here. Why don’t you give your parents a call? I think they’re probably looking for you. Thank you, thank you, thank you, thank you. You know, I never would have thought that my love of churros would have let me this close to the gates of hell. You laughed. Okay, yeah, I laughed. The. The posse is back. It’s all because of you, Beth. It was because of our friendship. I mean, it was stronger than evil.

As corny as that sounds, it’s true. I know. Let’s go back to my house. Let’s find my little brother’s Halloween candy and eat all of it. Right. Okay. That. That’s what I’m talking about. All right. Okay. Let’s go. I’m starving. Cut. Beth, I forgot one thing. What’s that? Well, it’s about time. And there it is. Beth defeats Dr. Hysteria by refusing the offer. The demon vanishes when she chooses friendship over immortality. Let’s decode what just happened using actual documented occult practice. In grimoire tradition. The Lesser Key of Solomon from the 17th century. The Grand Grimoire, the Book of Abramelin.

Demonic contracts require specific components. The entity must be summoned. The practitioner must state their desire. Terms must be negotiated and critically. Consent must be given. The demon cannot simply take what it wants. This principle appears consistently across centuries of occult literature and testimony from former practitioners. The willing agreement seals the binding. This is why Dr. Hysteria needed Beth to accept. Her refusal broke the contract structure entirely. Now, notice the hand stamps that wouldn’t wash off. In kabbalistic tradition, marking the hand connects to the concept of yad, the hand as the instrument of action and agreement. When you shake hands on a deal, you’re not just being polite.

You’re engaging in ancient contract symbolism. The mark that won’t wash represents a binding that transcends the physical. Revelation 13:16 warns about marks on the right hand or forever forehead required for commerce. The film just showed children a literal mark required for entry into a demonic transaction space. Not metaphorical literal. The Cabinet of Souls itself connects to documented practices. In Haitian Vodou, there’s the concept of capturing T bonage the little good angel, essentially a piece of someone’s soul and storing it in objects. Boko sorcerers allegedly use use this to create zombies, people whose souls have been partially extracted.

In European witchcraft trials, testimony repeatedly mentioned witches keeping familiar spirits in bottles, boxes, cabinets. The 1612 Pendle witch trials in England included accusations of spirits kept in containers. This isn’t new imagery, it’s old practice repackaged as a prop. Lilith’s character deserves deeper examination. In the Alphabet of Ben sira from the 8th to 10th century, Lilith is Adam’s first wife who refused submission and became a demon preying on men and infants. The Zohar foundational Kabbalistic text from 13th century Spain describes her as queen of demons who seduces men in their sleep. And here she is in a children’s film, working at a carnival, flirting with a teenage boy, luring him towards the blue eye portal.

They named her Lilith. Not Lily, not Elizabeth. Lilith. That’s not accidental casting the blue eye with electrical energy connects to multiple streams. The Nazar Turkish Evil Eye talisman uses blue to ward off curses, but inversion is key in occult practice. What protects can also curse when flipped. Add the electrical element and your layering Luciferian light bearer symbolism. Prometheus stole fire from the gods. Lucifer means lightbringer, forbidden knowledge that illuminates in theosophy. Helena Blavatsky’s occult system from the 1800s that heavily influenced modern New Age thought. Lucifer is portrayed as humanity’s liberator, the one who brought enlightenment. The electrical blue eye is multi layered symbolic language.

Here’s what this film actually accomplished. It spent 90 minutes teaching children the mechanics of soul contracts, demonic seduction and occult transaction, then added a two minute moral about friendship. What imprints the spectacle? The detailed how to RL Stein has done this for decades through goosebumps and fear. Street package genuine occult concepts as youth entertainment. Sonian Scholastic distributed this as family content. But here’s your liberation. You now recognize the Faustian structure, the grimoire contract elements, the Kabbalistic marking, the Lilith archetype, the inverted Nazar symbolism. When real offers come in entertainment business, anywhere power concentrates. You’ll see the pattern and you know the power of refusal.

Consent is required, which means refusal breaks the binding. Share this breakdown Wake up other parents. This content is protected under Fair Use Doctrine as established in section 107 of the Copyright Act. We are engaging in criticism, commentary and educational analysis, transforming the original work for entirely different purposes than its original intent. This isn’t reproduction. This is deconstruction and liberation consideration Consider fan edits of Star wars, one of the highest grossing franchises in history with massive legal protection, exist openly online. People literally rearrange sections, reinterpret scenes, present their own versions of how the story should be understood.

That’s protected. What we’re doing goes further. We’re taking films, including those specifically directed toward children, and exposing the property propaganda that makes the world a worse place for everyone. We’re dismantling content that perpetuates evil and transforming it into awakening tools. We’re reclaiming these works for the public’s best interest. This is our natural law right. This is our administrative remedy. This is our do not Harass notice. If any platform or entity attempts to remove this content, they are now on notice and potentially liable under natural law principles. This content has been presented to you by the Shield of Souls assembly.

Learn more@shieldofsouls.com about how natural law protective private associations operate and why this work qualifies as a public service. Green Mountain Greenery is a proud member of Shield of Souls, which is why their mission aligns perfectly with supporting truth disclosure like this. We’re not asking permission to critique professional propaganda. We’re exercising our right to expose it, decode it, and transform it into liberation work. This is fair use. This is protected speech. This is sovereignty in action. If you appreciate what we’re doing here, you need to check out Green mountain greenery@givegmg.com they’re a member of Shield of Souls assembly and their mission is completely aligned with this work.

They create all natural handmade offices, offerings that are truly unique. You won’t find anything like them anywhere else, and here’s what makes them different. Everything they do supports content like this and other truth disclosure efforts. They exist to heal the world while funding awakening, so if you resonate with what you’re seeing here, you’re going to love what they’re about. Visit givegmg.com and see for yourself. This has been your ether liaison, guiding you through the patterns hidden in plain sight. Remember, there’s infinite knowledge in this world, but it’s not about how much you know, it’s about which knowledge you choose to pursue.

Someone can spend years in institutions learning indoctrination while someone else discovers how to truly soar by seeking what’s been hidden. Choose your knowledge wisely. The truth is always there, waiting for those willing to see it. Stay awake, stay sovereign, and keep your vision clear and your discernment sharp. And remember, it’s about the right knowledge. You know where to find it. Burrow TV everything they wish you didn’t see.
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